Apr 2007
More photographs
23/04/07 23:02 |
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I have been busy photographing again. See the new
photos posted on the gallery page. A special
"Thank you" to the management and staff of
Lake Jindabyne Hotel who gave
me excellent
service during this photo shoot. They helped prepare
the venue, move furniture, supply props, even set up
curtains all in order that the photography was
successful.
It is always interesting seeing different reactions when I describe my work. Most people are surprised about my subject matter and yet curious about the results. Of course a professional model dressed in her finery caused a few heads to turn! Thank you also to Glamour Girls modeling agency who have also given excellent personal service.
A great day was had by all.
It is always interesting seeing different reactions when I describe my work. Most people are surprised about my subject matter and yet curious about the results. Of course a professional model dressed in her finery caused a few heads to turn! Thank you also to Glamour Girls modeling agency who have also given excellent personal service.
A great day was had by all.
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Sculptor, Tanya Menzies
13/04/07 11:56 |
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"Beaded Nude"
Introducing Tanya Menzies, a sculptor who grew up in country Australia. She has a degree in Graphic Arts from Charles Sturt University. She has worked in the photographic industry and edited and designed the newsletter for Wagga Wagga Art Society.
She has created shimmering sculptures out of wire mesh, decorated with beads that sparkle like jewels. She is inspired by the female form and ideas of motherhood.
Click here to see her work
Tanya was raised on a
farm near Ardlethan. Born an artist, she was often in
trouble for stealing pieces out of her father's shed
to make fanciful mobiles, wind chimes, sculptures and
anything else artistic she could dream up. After
finishing school Tanya completed a BA in Graphic
Design at Charles Sturt University
in Wagga Wagga. In
the course of her studies she worked on the
student newspaper and as a freelance graphic
designer. After graduating Tanya worked for a
number of years in the photographic industry,
restoring and manipulating photographic images.
She also worked with the Wagga Wagga Art Society
as their newsletter
editor and in-house designer.
Along with her husband, Tanya has now returned to the land and the life she loves most. With a son and daughter aged five and three respectively, and a revitalising place to call home, life has come full circle. Tanya is looking forward to the next phase with all the creativity, passion and love she can muster.
Essentially, the work is an exploration of womanly creation - what it is to create a new life, give birth and become a mother. There is no doubt that the experience can be emotionally and physically overwhelming, but it is also magic in its purest form. The work is intended to reflect this. It is unapologetically feminine and celebrates an experience that lives with a woman forever.
Along with her husband, Tanya has now returned to the land and the life she loves most. With a son and daughter aged five and three respectively, and a revitalising place to call home, life has come full circle. Tanya is looking forward to the next phase with all the creativity, passion and love she can muster.
She describes her work
Although my interest ebbs and flows from one artistic venture to the next, I have been held for some time by the endless aesthetic qualities and possibilities of wire and wire mesh. More recently, the magic of beads has come into play. My preference for these materials has combined with my recent life experiences in the current body of work.Essentially, the work is an exploration of womanly creation - what it is to create a new life, give birth and become a mother. There is no doubt that the experience can be emotionally and physically overwhelming, but it is also magic in its purest form. The work is intended to reflect this. It is unapologetically feminine and celebrates an experience that lives with a woman forever.
Phoenix Prize for Spiritual Art 2007
05/04/07 09:31 |
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Last night was the
opening of the Phoenix Prize for Spiritual Art. There
were 170 entries and the short listed ones are on
exhibition at ANU School of Art
Gallery from 5-28 April. It was my
honour to photograph my friend, Pete Smith's
entry. Gordon Bull, head ANU School of Art,
announced last night that Pete Smith has won first
prize!!

Pete Smith (left) with Gordon Bull (right) and "Transfiguration"

Pete Smith (left) with Gordon Bull (right) and "Transfiguration"
How exciting to know
that my photography contributed to the winning
entry!! The work is called "Transfiguration". It is a
large white piece that fills a white wall. It is made
of cable ties and shimmers in the light.
Photographing it was a technical challenge. The shape
reminds us of the crucifixion, but it could be
interpreted as a tornado, an ethereal spirit, a beam
of light or even a waterfall. The ties themselves
look sharp and remind us of the crown of thorns, yet
they are in reality very soft and fragile and
transparent, reminding us of the spirit and of
Christ's vulnerability.
Congratulations Pete Smith.
Copyright: Pete Smith and Margaret Kalms
Congratulations Pete Smith.
Copyright: Pete Smith and Margaret Kalms
Getting dressed
03/04/07 21:03 |
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My model rung me to
apologise for being late because she needed to shave
her legs. She arrived and we did some interesting
work. The incident reminded me of a book I have been
reading, "Dirt, Undress and Difference - critical
perspectives on the body's surface" Adeline
Masquelier ed, Indiana University Press
2005.
There is a description of a strip dancer preparing for work. It goes into detail for three pages (96-98). This makes me think about the whole notion of what is dressed and what is undressed and which bits to show and which bits to hide. Certainly the dancer took great care in presenting her body in a particular way. She took longer than most people to get 'dressed' for work!
We all have the right to present our bodies the way we choose.
There is a description of a strip dancer preparing for work. It goes into detail for three pages (96-98). This makes me think about the whole notion of what is dressed and what is undressed and which bits to show and which bits to hide. Certainly the dancer took great care in presenting her body in a particular way. She took longer than most people to get 'dressed' for work!
We all have the right to present our bodies the way we choose.